[i]The Man of Fish[/i] by Eglė Švedkauskaitė is a piece by a young director that appears to have raised most interest among different generation critics in Lithuania in recent time.

In the play every character deserves compassion and understanding, each and every one experiences blows of fate and has to pay for one’s mistakes.

Lithuanian National Opera and Ballet Theater presented the premiere of Sergey Prokofiev's opera [i]The Gambler[/i] with Asmik Grigorian in the leading role.

Started from a short opera, NOA developed into a festival with contemporary opera debuts presented in tours from New York to Shanghai.

After a long break, Panevėžys has finally offered the performance that has opened up a vast space for analysis and interpretation.

The exhibition is like symbolic All Saints' Day of Eimuntas Nekrošius, it is dedicated to the audience left without the director.

Intensive creative energy turned into an interesting, meaningful performance successfully incorporating various forms of artistic expression.

Here I quote Brecht: “Methods become exhausted; stimuli no longer work. New problems appear and demand new methods".

Performances. Exhibition. Conference. Meetings. 21-30 November 2019, Vilnius

In the spring of 2019 she was granted the best Female Singer of the Year award at the International Opera Awards.

B and B is still a hard-to-define, unexpected duet in the context of Lithuanian performing arts.